Bruno Peláez is part of today’s digital revolution’s generation. Raised in an emergent world of information, he grew up and lives in a fascinating mass-collective reality where virtual and physical elements are mixed continously.  

The world today functions in both realities, the digital and the tangible. As the border between them is getting thinner, concepts like distance and space are changing, the human eye can be cheated by artificial images. It gets more difficult to distinguish between what’s real footage and what’s computer generated. Interactivity is a key aspect in the digital revolution, the use of electronic devices is getting easier, making it accesible to more users, expading the world into a digital space. 

In this context, Bruno explores the relation between these worlds and it’s possibilities. Trying to print in his pieces the blending of reality. 

Bruno Peláez was born in 1980 at Mexico City. Graduated in Media Studies, he started working in the television industry as a production assistant for music videos, later on he worked as a video maker in a videogame TV show. 

Then he moved to Barcelona to complete a Master in Digital Arts and a Post-grad in Digital Video. In the meantime, he started to produce experimental, linear and interactive pieces. Nowadays, he switches his work-time between commercial and video art projects. 

His most recent creations are video creation M, W, the stop-motion Super Mutant Wrestlers, the music video Catrina’s Afternoon, the video dance Crystalline & Amorphous and La Visita, a video-installation.

http://brunologo.com