We know the exact history of the most famous piece of John Cage. James Prittcher told it to us. “What silence taught to John Cage: the history of 4 ' 33”.
It is not tried here to count that history but to make a parody through the lack of understanding and the inconsideración of the public towards the art generally and specially in music. In the absolute end of the theory of the reception, the public "composes” the work, gaging to the author. Try did Cage to obtein the silence or the symphony of noises? Of one or another way it ended up apostatizing of the work that, in its nihilism, led to him an impasse.